It is impossible to read Dashiell Hammett's The Maltese Falcon without imagining the actors from John Huston's 1941 film, and for that Huston deserves high praise. He had found the 1931 pre-Code version a disappointment and scripted a movie that followed the book pretty much right down the line. Hammett's snappy dialogue was a template for those who followed, both his equal (Chandler, Macdonald) and hacks. In the novel especially, the black bird is the perfect vehicle through which ethics and desires are revealed. A morality play with no moral, the book is a dark pleasure.
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