Enough

Cassidy Hutchinson's book carried few surprises, despite all the hype it generated. I kept wondering about the overly long sections on her childhood and adolescence, but when you're 25 if you don't include your childhood the book probably comes in at under 100 pages. The sad message here is that we have arrived at a place where when a political operative eventually is persuaded to tell the truth, she is counted as a "hero."

Not Funny

Jena Friedman first came to my attention with her TV series Indefensible, about the manifold failures of the justice system. Her book is sharp and occasionally funny.

Bartlelby and Me

Gay Talese is the finest living prose stylist. His deceptively simple, crystalline sentences are a perfect match for his ordered and ruthlessly observant mind. All three of the sections in Batlelby are winning, but the account of the Upper East Side townhouse that was destroyed by its owner is the most gripping.

Dictatorship

Sarah Kendzior and Andrea Chalupa's graphic novel primer on how dictatorships are fueled, born and thrive is exceptionally relevant. The work by artist Kasia Babis is superb.

Close to Home

The North Irish writer Michael Magee's debut novel was widely praised, but I found it hopelessly dark. Too often reading it felt like being hit in the head with a hammer. As a picture of a ruinous drug culture I suppose it has its place.

Cannery Row

Catching up on books I read months ago is a good test of their staying power. Steinbeck's Cannery Row is wise and wistful, and invites a further re-exploration of this deeply humane writer.